Wednesday, November 28, 2007

Venn test titles 1

The first of a few rough versions for the title sequence to Venn. It has to be fairly simple because it's going to change every episode so the Venn diagram shows who interacts with who during the episode that follows. Obviously the actor's name will be in the circle as well as the character's.



Arguing with Flash, because I hadn't used it in so long, meant that I only got the one title idea done today. I'll try to get at least one more, and some work on the title, done tomorrow.

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Tuesday, November 27, 2007

Titles

I'm looking for ideas, rules, etc. for title sequences. I've got a strong idea of what I want to do, but no clues on the soundtrack etc. yet. Anyway, some notes and inspirations.

Inventory: 22 TV Opening-Credit Sequences That Fit Their Shows Perfectly

The worst title sequence on TV. Ever.

Fifteen seconds to set a TV show's perfect tone.

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Friday, November 23, 2007

Relationships

Yetsreday I drew up a spider diagram of the relationships of all the characters as they are at the beginning of the first episode. They rapidly change, of course. All future characters should somehow link in to this structure, which shouldn't be too hard. The web will grow outwards as the series goes on and actors come along with ideas for situations and people they'd like to play.

Names in blue are characters I don't have any current plans to use. Julie is most likely to be written into an episode eventually- dropping in, causing chaos and then leaving again. However, if an actor comes along with a compelling reason why they should play That Bastard or Whatsisface then I'll write something for them.

Click on the picture for a larger version.

Wednesday, November 21, 2007

The independent future?

Over at Kung-Fu Monkey John Rogers has some comments on the coming micro film making revolution. He's confident it'll arrive, just not as fast as others are claiming. The technology to make the films and series cheaply is here, and getting cheaper, but he's not so sure about distribution and the necessary culture shift to go over to getting your television from the Internet.

I'd like to think that countries with a greater penetration of broadband will get the jump on the US in this area. The UK passed the States in percentage of broadband users a few years ago and is likely still ahead. Perhaps there'll be a British invasion of web content in the next few years that will help push the American industry.

I want Short Tales About Love and Sex (whatever it ends up being called) to be part of that invasion.

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Thursday, November 15, 2007

Short Tales - some thoughts on tone

I've written one and a bit episodes of Short Tales, and have a few scenarios for future stories. So I've worked out the tone I want to set with the series.

The working title is Short Tales About Love and Sex. The Sex part should give a lot away. There's going to be some adult subject matter, our Tales will be quite dirty.

When I think of an adult/dirty sitcom three titles come to mind. Two of them were brilliant, one was rubbish. This isn't going to be Gimme Gimme Gimme, for example, where screamed swear words passed for humour and the main characters were one dimensional at best. Nor is it going to be Men Behaving Badly, great as that series was. For the first few episodes at least, I think it's going to feel most like Coupling (in fact, the blurb on the Amazon page for Coupling sounds a lot like the way I'd describe Short Tales).

Some of the stories I've got planned drift into, and occasionally beyond, Coupling territory. Without going into complete plot breakdowns there'll be tales about earth shattering orgasm (or the lack of), shopping for sex toys and sexual fantasies. Mostly details are going to be conveyed in conversation, but people are going to end up in bed. I'd like to avoid the L shaped blanket (and as many as possible of the other cliches in the list), but still keep all nudity implied rather than seen. There'll be lots of head and (bare) shoulders shots and the occasional bare back but nothing more (well, male characters can have bare chests exposed I guess). I know it's a visual medium and you're supposed to go for show, not tell, but you can always show that a character has no clothes on without having any nipples on display.

The benefit that Short Tales will have is that it's about a rotating cast of characters, so we don't have to leave the same four or six people in limbo with occasional disturbances. We can go away and concentrate on someone else for a while once it's established that, yes, A and B do end up together and they are happy. There are many reasons for this, the most pragmatic of which is that this is a low/no budget production and I want my actors to go on to better things when they get the chance (and then come back when they're famous to give Short Tales a bit of extra cool). This turn over will allow a greater number of subjects without falling into soap opera-ness.

This isn't the final word on tone and themes by any means, but I hope it serves as an introduction. I shall expand upon it as episodes are written and shot.

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Tuesday, November 13, 2007

Short Tales character sketch- Kate

This character has yet to be cast.

Kate is Mark's fiancee. She seems sweet and innocent, and a little dizzy, but has a keen mind and develops very dirty imagination. Sarah and Kate become friends after meeting at Kate and Mark's engagement party. The friendship is one of the catalysts for Kate's exploration of her naughtier side.

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Sunday, November 11, 2007

Spinneyhead studios shopping list

I plan to put some applications in for funding, effectively requests for an equipment budget for Spinneyhead Presents. It's always good in those situations to know what you're asking for the money for, so it's time to draw up a shopping list. I've asked Alan to look into sound equipment, so I'll consider some video and software requirements.

We really need a better camera. A good high definition camera like the Canon XH A1, for example. I read a neat suggestion in a review about shooting footage in high definition and using the larger image to simulate pans and close ups in the editing for standard definition output.

To get the steady shots necessary to take advantage of HD in this way we'll need a solid tripod. I'd need to do some more research, but Manfrotto is a name that came up in an initial search.

EBay may be a good place to go for lighting equipment. But I'll look into some of the options suggested in this article first.

Software wise I'd like the latest version of Adobe Premiere Pro, or, even better, the full CS3 production bundle.

I shall expand on this list as I think of new stuff I need.

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Thursday, November 08, 2007

More thoughts on titles

I've been thinking about titles since reading Alan's suggestions, and I really like his first two suggestions- Connections and Intertwine.

These two words come close to summing up the style of story arcs I want to have in the series, with the focus drifting away from the initial four main characters onto those who start out in the background and then back again. Connections, or Connected, also calls to mind Six Degrees of Separation. And either one would be able to use one of two great early nineties indie hits for a theme if we were rich enough to do that sort of thing (Brownie points if you can name the ones I'm thinking of).

Intertwined is a little more insular than Connections, but would better describe the way storylines wrap around each other. I'm imagining a title sequence of vines wrapping around each other, or the pipes screensaver gone a bit mad.

For myself, I came up with the deliberately obscure Venn as a title suggestion. It's from a similar idea to Connections, calling up the way the characters' lives overlap with each other. It would be a good excuse for a gimmicky title sequence where the interactions of the episode are described graphically. So the title graphic for the first episode would look like this-



That may be a little too geeky, I don't know.

Does anyone have any comments or refined suggestions based upon these three ideas?

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Thursday, November 01, 2007

60 seconds of fame

BAFTA and Orange have teamed up to organise a 60 second film competition. Upload your one minute masterpiece, have it voted on and possibly win yourself a place at the BAFTA awards ceremony.

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