Thursday, May 08, 2008

Boom


Boom, originally uploaded by spinneyhead.


I bought a monopod for a camera, mounted the microphone on it and used it as my boom mike. After some teething troubles (I unwrapped the cable from arround the metal tube because I'm sure it was causing interference) it worked quite well.

Despite the suspension the mic still picks up the scrapes and squeaks as I shift the boom, and clinks as the cable waves into things, so I'm learning the art of holding it perfectly still for a whole take.

Thursday, March 06, 2008

Become a fan of Venn

If you're on Facebook there is now a new way for you to track Venn. Sign up as a fan of the series at this page. Updates and news will be posted there as well as at venn.tv and here.

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Monday, January 28, 2008

Venn.tv

Venn now has a home- www.venn.tv.

Now that that is sorted out I can do some more work on finding funding and rewriting the first two episodes. The first draft of the new versions is a bit naughtier than the previous versions.

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Thursday, January 24, 2008

Venn - more designs

I'm about to put together a promo booklet for Venn, to send to possible investors, and today I've done a couple of rough designs for the cover.





It also seemes appropriate to redo the relationships diagram as a Venn diagram.



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Tuesday, January 15, 2008

Bloody Omaha



Three graphic designers, a car full of props, dozens of takes and a lot of ingenuity recreate the landings on Omaha Beach.

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Friday, January 11, 2008

Venn - Episode 0



This is the teaser episode for the upcoming series from Spinneyhead Presents. I'm working on a business plan to film at least one episode a month and back them up with workshop and "how to" pieces.

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Monday, January 07, 2008

Venn title logo ideas


Venn, originally uploaded by spinneyhead.


A few ideas for the Venn title logo that I sketched over Christmas. Episode 0 is going to have a simpler logo.

Saturday, December 22, 2007

Filming Venn episode 0


Filming Venn episode 0, originally uploaded by spinneyhead.


I've just uploaded a few pictures taken when we were shooting Episode 0 on December 8th.

We're not quite going to get the video out before Christmas. Alan and I are putting the final touches to it at the moment. He's doing the sound and I'm going to clean up the titles and do some colour matching. It should be ready early in the New Year.

Tuesday, December 18, 2007

Francis Ford Coppola's studio in a van

Before the success of The Godfather sent him off making a string of high profile, big budget films, Coppola had wanted to be an experimental film maker, directing smaller, more personal works. For his latest movie he trimmed his equipment down until it would all fit into a Dodge (Mercedes) Sprinter.

via Jalopnik

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Friday, December 14, 2007

Teas are good

We shot footage for Venn episode zero (a teaser/promo for the series proper) on Saturday and I started editing it together yesterday. It's very English, but right now I'm trying to get the "Tea and Sympathy" sequence down to a minute.

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Wednesday, November 28, 2007

Venn test titles 1

The first of a few rough versions for the title sequence to Venn. It has to be fairly simple because it's going to change every episode so the Venn diagram shows who interacts with who during the episode that follows. Obviously the actor's name will be in the circle as well as the character's.



Arguing with Flash, because I hadn't used it in so long, meant that I only got the one title idea done today. I'll try to get at least one more, and some work on the title, done tomorrow.

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Tuesday, November 27, 2007

Titles

I'm looking for ideas, rules, etc. for title sequences. I've got a strong idea of what I want to do, but no clues on the soundtrack etc. yet. Anyway, some notes and inspirations.

Inventory: 22 TV Opening-Credit Sequences That Fit Their Shows Perfectly

The worst title sequence on TV. Ever.

Fifteen seconds to set a TV show's perfect tone.

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Friday, November 23, 2007

Relationships

Yetsreday I drew up a spider diagram of the relationships of all the characters as they are at the beginning of the first episode. They rapidly change, of course. All future characters should somehow link in to this structure, which shouldn't be too hard. The web will grow outwards as the series goes on and actors come along with ideas for situations and people they'd like to play.

Names in blue are characters I don't have any current plans to use. Julie is most likely to be written into an episode eventually- dropping in, causing chaos and then leaving again. However, if an actor comes along with a compelling reason why they should play That Bastard or Whatsisface then I'll write something for them.

Click on the picture for a larger version.

Wednesday, November 21, 2007

The independent future?

Over at Kung-Fu Monkey John Rogers has some comments on the coming micro film making revolution. He's confident it'll arrive, just not as fast as others are claiming. The technology to make the films and series cheaply is here, and getting cheaper, but he's not so sure about distribution and the necessary culture shift to go over to getting your television from the Internet.

I'd like to think that countries with a greater penetration of broadband will get the jump on the US in this area. The UK passed the States in percentage of broadband users a few years ago and is likely still ahead. Perhaps there'll be a British invasion of web content in the next few years that will help push the American industry.

I want Short Tales About Love and Sex (whatever it ends up being called) to be part of that invasion.

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Thursday, November 15, 2007

Short Tales - some thoughts on tone

I've written one and a bit episodes of Short Tales, and have a few scenarios for future stories. So I've worked out the tone I want to set with the series.

The working title is Short Tales About Love and Sex. The Sex part should give a lot away. There's going to be some adult subject matter, our Tales will be quite dirty.

When I think of an adult/dirty sitcom three titles come to mind. Two of them were brilliant, one was rubbish. This isn't going to be Gimme Gimme Gimme, for example, where screamed swear words passed for humour and the main characters were one dimensional at best. Nor is it going to be Men Behaving Badly, great as that series was. For the first few episodes at least, I think it's going to feel most like Coupling (in fact, the blurb on the Amazon page for Coupling sounds a lot like the way I'd describe Short Tales).

Some of the stories I've got planned drift into, and occasionally beyond, Coupling territory. Without going into complete plot breakdowns there'll be tales about earth shattering orgasm (or the lack of), shopping for sex toys and sexual fantasies. Mostly details are going to be conveyed in conversation, but people are going to end up in bed. I'd like to avoid the L shaped blanket (and as many as possible of the other cliches in the list), but still keep all nudity implied rather than seen. There'll be lots of head and (bare) shoulders shots and the occasional bare back but nothing more (well, male characters can have bare chests exposed I guess). I know it's a visual medium and you're supposed to go for show, not tell, but you can always show that a character has no clothes on without having any nipples on display.

The benefit that Short Tales will have is that it's about a rotating cast of characters, so we don't have to leave the same four or six people in limbo with occasional disturbances. We can go away and concentrate on someone else for a while once it's established that, yes, A and B do end up together and they are happy. There are many reasons for this, the most pragmatic of which is that this is a low/no budget production and I want my actors to go on to better things when they get the chance (and then come back when they're famous to give Short Tales a bit of extra cool). This turn over will allow a greater number of subjects without falling into soap opera-ness.

This isn't the final word on tone and themes by any means, but I hope it serves as an introduction. I shall expand upon it as episodes are written and shot.

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